Complete and unabridged, with 58 full-page plates by Thomas Gainsborough, George Frederic Watts and Walter Sickert. Eight short pieces from the year Woolf decided the novel could be built differently: a mark on the wall, a haunted house, a woman in a mirror, a string quartet. It came out from the Hogarth Press, which she and Leonard ran from their house, with woodcuts by Vanessa Bell — this is the laboratory where her later books were designed. Fifty-eight plates of windows, music halls and railway stations by painters from Munch to Sickert run alongside these sketches, matching their eye for the ordinary moment caught at a threshold.