Complete and unabridged, with 57 full-page plates by George Bellows, Ernest Lawson and Childe Hassam. A New York woman follows a shell-shocked veteran to Arizona and finds the canyon country has taken him and will not give him back easily. Grey published it in 1924 as an argument between the jazz age and the desert, and the desert wins. This edition carries 57 plates of painting bound with the text, among them works by Thomas Moran, Walter Ufer and Winslow Homer, dating from 1872 to 1927.